The character design is like a super stylized comic book, and the character movements are so graceful that I have to believe that animators, not programmers, designed the sequences.
With Ghost Trick, the puzzling is so seamlessly interwoven that you really feel you have a direct hand in the characters' actions. Contrast this with the Professor Layton series, which for all the praise it gets, does not make any attempt to integrate the puzzles into the actual story. The gameplay is so innovative, yet at the heart of this game is some truly fanciful storytelling. Contrast this with the Professor Layton series, which for all the praise it gets, does not make any attempt to integrate the puzzles into the actual I picked up this game expecting good things from the people who brought us Phoenix Wright, but Ghost Trick has exceeded my every expectation. I picked up this game expecting good things from the people who brought us Phoenix Wright, but Ghost Trick has exceeded my every expectation. Until then, the next iterations of Ace Attorney and Ghost Trick will be warmly welcomed. The only possible way for Takumi to improve the experiences he's created is to somehow expand the gameplay elements while keeping the size and sweep of the story intact. The last several hours feature so many twists that the story and puzzles mesh, putting emotion into rotating a piston or opening a trashcan so that you aren't merely completing a level but saving the lives of characters you actually care about. The gameplay is quite clever and adds more elements both without ever running out of ideas before introducing them and building the story tremendously. The writing is sheer perfection, seemingly simple at first until it starts revealing the tricks up its sleeve. The last several hours feature so many twists that the story and puzzles mesh, Shu Takumi might have topped Phoenix Wright.
Shu Takumi might have topped Phoenix Wright.
0 kommentar(er)
